F. Scott Fitzgerald's *The Great Gatsby*, set against the backdrop of the Roaring Twenties, offers a profound exploration of American society, including its deeply ingrained gender roles and expectations. While the era promised new freedoms, particularly for women, the novel reveals a complex reality where traditional patriarchal structures persisted, often confining characters, especially women, within restrictive social codes. This analysis delves into key moments, chapter by chapter, highlighting how gender dynamics shape the characters' lives, relationships, and ultimate fates, aligning with the thematic focus relevant to A-Level study.
The 1920s, often romanticized as an era of liberation, presented a paradox for gender roles. The suffrage movement had secured votes for women, and the rise of the "flapper" symbolized a break from Victorian constraints. Yet, as *The Great Gatsby* illustrates, these changes were often superficial. Society remained fundamentally patriarchal, expecting women to prioritize marriage, beauty, and social grace, while men retained economic and social dominance. Fitzgerald masterfully captures this tension, using his characters to critique the limitations imposed by these expectations.
The fashion and social dynamics of the 1920s, as depicted in adaptations of The Great Gatsby, highlight the era's complex gender expectations.
One of the most revealing moments regarding gender expectations occurs early on when Nick visits his cousin, Daisy Buchanan. Discussing her daughter, Pammy, Daisy utters a line that encapsulates the perceived limitations placed upon women:
“I’m glad it’s a girl. And I hope she'll be a fool — that's the best thing a girl can be in this world, a beautiful little fool.”
This quote starkly highlights Daisy's disillusionment. It suggests a belief that intelligence and awareness only bring pain to women in a society that values them primarily for beauty and compliance. It reflects the societal expectation that women should remain naive and ornamental, shielded from (or perhaps complicit in) the harsh realities often dictated by men.
Nick's initial description of Daisy and Jordan Baker lounging reinforces the idea of female passivity:
“The only completely stationary object in the room was an enormous couch on which two young women were buoyed up as though upon an anchored balloon.”
This imagery portrays the women as decorative and almost weightless, beautiful objects contained within the domestic sphere. They are "anchored," suggesting a lack of true freedom or agency, restrained by the social environment predominantly controlled by men like Tom Buchanan.
The toxic relationship between Tom Buchanan and his mistress, Myrtle Wilson, vividly illustrates patriarchal power and the vulnerability of women, particularly those of lower social standing. Tom treats Myrtle with disdain and exerts physical control. The chapter culminates in a shocking act of violence:
“Making a short deft movement, Tom Buchanan broke her nose with his open hand.”
This occurs when Myrtle defiantly repeats Daisy's name, challenging Tom's authority and the boundaries he imposes. His swift, violent reaction underscores the brutal reality of male dominance and the dangerous consequences for women who transgress expected roles or assert themselves against powerful men.
Jordan Baker, a professional golfer, represents a departure from the traditional female roles embodied by Daisy. She is independent, cynical, and navigates the social world with a degree of autonomy. However, her independence is coupled with a character flaw noted by Nick:
“She was incurably dishonest.”
Jordan challenges gender norms through her career and attitude, yet Fitzgerald portrays her with ambiguity. Her dishonesty might reflect the compromises required for a woman to succeed in a male-dominated sphere, or perhaps societal suspicion towards women who defy convention. Nick's eventual dismissal of her dishonesty ("Dishonesty in a woman is a thing you never blame deeply") also reveals a condescending male perspective.
Gatsby's parties showcase the performative aspect of gender roles in the Jazz Age. Nick observes:
“Girls were putting their heads on men’s shoulders in a puppyish, convivial way”
This description suggests a superficiality and perhaps a calculated display of feminine submissiveness or playful dependence, aligning with the flapper image which combined liberation with objectification.
The female characters in *The Great Gatsby* navigate societal expectations in different ways. The following chart attempts to visualize the relative positions of Daisy, Jordan, and Myrtle concerning key aspects related to gender roles, based on their portrayal in the novel. These are interpretive assessments rather than definitive measures.
This visualization suggests Daisy is highly constrained by expectations and objectification, while Jordan exhibits more independence but still faces limitations. Myrtle, despite her defiance, remains highly vulnerable and objectified, lacking financial or social power.
Gatsby's intense obsession with Daisy is not necessarily focused on her as an individual, but rather on an idealized version of her connected to his past and aspirations. He seeks to possess her as a symbol of the status and happiness he craves. Jordan relays Gatsby's desire:
“He wanted nothing less of Daisy than that she should go to Tom and say: ‘I never loved you.’” (Chapter 4)
This highlights how men like Gatsby project their dreams onto women, reducing them to objects or symbols within their own narratives. Daisy’s own feelings are secondary to Gatsby's need to rewrite the past.
In Chapter 6 (though some sources place the reflection in Chapter 8's recounting), Daisy's ultimate decision to remain with Tom reveals the power of societal expectations and material security over romantic love for women in her position:
“She wanted her life shaped now, immediately—and the decision must be made by some force… of money, of unquestionable practicality.”
Her choice underscores the limited agency afforded to women; practicality and the security offered by Tom's established wealth and social position outweigh the passion offered by Gatsby. She conforms to the patriarchal structure that values stability and status.
The tense confrontation between Tom, Gatsby, and Daisy at the Plaza Hotel is a pivotal moment where gender dynamics are starkly revealed. Daisy becomes the prize in a struggle between the two men. Tom aggressively asserts his ownership:
“She never loved you, do you hear? ... She only married you because I was poor and she was tired of waiting for me.”
Tom attempts to control the narrative and Daisy's affections, exposing the patriarchal view of women as possessions. Daisy's inability to definitively choose or articulate her own desires ("Oh, you want too much!") highlights her entrapment between the demands of the men and societal expectations.
Earlier in the chapter, Gatsby makes a famous observation about Daisy, which Nick reflects upon:
“Her voice is full of money.”
This quote directly links Daisy's allure and identity to wealth and social class. It suggests that her value, in the eyes of men like Gatsby, is inseparable from her economic standing, further objectifying her and reducing her personhood to a symbol of material success.
During the confrontation, Tom's racist and sexist outburst reveals his deep-seated fear of losing control and the erosion of the established social order, including traditional gender roles:
“Nowadays people begin by sneering at family life… next they’ll throw everything overboard and have intermarriage between black and white.”
Tom links challenges to the patriarchal family structure with broader societal decay, defending the existing hierarchy where white men of his class hold power over women and minorities.
The complex interplay of gender expectations, societal pressures, and character actions can be visualized in the following mindmap, summarizing the core elements discussed:
This mindmap illustrates how the central concept of gender roles connects to the patriarchal structure, the specific experiences of female characters, prevailing societal expectations, and the novel's broader themes and tragic outcomes.
The following table summarizes some of the pivotal quotes discussed, linking them to chapters and their significance in understanding gender roles within the novel:
Chapter | Quote | Character(s) | Significance to Gender Roles |
---|---|---|---|
1 | “I hope she'll be a fool—that's the best thing a girl can be in this world, a beautiful little fool.” | Daisy Buchanan | Highlights the perceived societal advantage of female ignorance and passivity; critique of limited roles for women. |
1 | “...two young women were buoyed up as though upon an anchored balloon.” | Narrator (Nick) about Daisy & Jordan | Symbolizes female passivity, ornamental status, and constraint within the social structure. |
2 | “Making a short deft movement, Tom Buchanan broke her nose with his open hand.” | Narrator (Nick) about Tom & Myrtle | Demonstrates brutal male dominance, physical control over women, and consequences for defiance. |
3 | “She was incurably dishonest.” | Narrator (Nick) about Jordan | Reflects societal judgment or ambiguity towards independent women who challenge norms. |
7 | “Her voice is full of money.” | Gatsby / Narrator (Nick) about Daisy | Objectifies Daisy, linking her value directly to wealth and social status. |
7 | “She never loved you, do you hear?” | Tom Buchanan to Gatsby (about Daisy) | Illustrates male contest over a woman, asserting ownership and control over her feelings and choices. |
7 | “Nowadays people begin by sneering at family life…” | Tom Buchanan | Reveals patriarchal fear of social change threatening male dominance and traditional gender hierarchies. |
The portrayal of women in *The Great Gatsby* continues to be a subject of discussion and analysis. This video explores the roles and representations of Daisy, Jordan, and Myrtle, offering further insights into Fitzgerald's depiction of femininity in the Jazz Age.
The video discusses how Daisy, Jordan, and Myrtle represent different facets of the "New Woman" emerging in the 1920s, yet are ultimately constrained by the patriarchal society and the specific expectations tied to their social class. Their struggles highlight the limitations placed even on women perceived as liberated or privileged.